Sepultura gathered a huge crowd of fans, that were ready to jump, run and shout for the whole performance, even if it was the last concert of the day.
The stage displayed the usual big screen in the background, plus four additional ones that projected captivating videos, light show or the Sepultura name, depending on the song.
Derrick Green’s presence on stage was massive: he continuously engaged with the crowd, moving from side to side, gesturing with the full body in perfect synch with the lights, the drums and the guitar.
The pit went crazy, actually crazier than in other concerts: while I was experiencing fun, but tough at the same time, moments, guitar solos and big drum strokes alternated on stage and the crowd couldn’t stop clashing, hugging and clashing again.
When Attitude began with its intro, the crowd could also experience Andreas Kisser’s unique blend of music and visual arts, watching him painting on stage before turning to the crowd again and starting a guitar riff.
The Place kicked off with a completely dark stage, suddenly and smoothly lighted up with an intense play of lights, drums and guitar, that brought all of us into the tough and actual content of the song.
The celebration at Copenhell of 42 years of Sepultura was the perfect way to end Day Two, with their mix of trash, groove, death metal, and Brazilian influence.
Luca Bruschi
